
When talking to Brent he felt strongly that we should make the book a stronger feature of our project. When I produced a rough concept sketch for one idea (above) his reaction was…. Interesting. Though complimentary on my drawing skills he said they were too descriptive. I could see his point; telling the reader what to see on purpose or not defeats the point of the storybook. I must make the book a work of art in its own right but not destroy the story through detailed descriptive drawing. Without realizing my drawing would have subconsciously influenced what the reader would think and imagine from the story.
I want to produce a cover that contains some of the sculptures as to tie the book to the place of the event. My initial concept was very traditional in the way I approached it, but now I will pursue a more abstract path, experiment with various shape and cover ideas. It is crucially important that I remember the artwork is not to tell the reader what to imagine.




Each of these examples are interesting, Alexis Deacon’s ‘Beegu’ for example is a very simply cover, by giving little away it only hints to the reader as to what it may contain. For example the yellow animal staring curiously at the leaf in front of a distant cityscape. I now assume the plot is based on a strange creature out of its normal environment curious to this new one he is encountering. The Gun shaped book is of particular interest it provides an interesting context to the book. If it were perhaps a gun catalogue then its impact would be minimal however imagine the connotations if someone were to produce a bible in the same shape. An interesting shape to the book could make a huge amount of difference.
Ben












